The Buddha has the deeply folded robes, and an erect posture, which are prevalent in this period in Sri Lanka. The end of his robe is placed over his left shoulder, with his left arm by his side. The right hand forms a gesture of teaching. He stands on a delicately articulated lotus base. The flame usnisha, also a distinctive feature of Sri Lanka Buddha figures, is separately carved. The Buddhist faith witnessed a revival during the 18th century in Sri Lanka under the reign of Kirti Sri Rajasimha (1747-1782). Ivory for Buddhist imagery was used more frequently from then onwards. The refinement in the art of ivory carving achieved by artists can be seen in this piece.
